In short: yellow-green
Yellow-green is the base shade of strontium aluminate glow pigments. It glows brightest and longest. All other glow colours are variants of it – and as a rule, the further they move away from the base shade, the weaker their afterglow.








Glow colours at a glance
| Glow colour | Brightness | Afterglow* | Characteristics |
|---|---|---|---|
| Yellow-green | brightest | more than 10 h | base shade; light yellow in daylight |
| Blue-green | bright | more than 10 h | more balanced, less "chemical" look |
| Blue | slightly weaker than yellow-green and blue-green | more than 10 h | most colour-neutral in daylight |
| Violet | considerably weaker | approx. 3 h | needs UV light to charge |
| Orange, red | considerably weaker | – | tinted; a true red is technically not possible |
| White | rather weak | only briefly | very white daylight colour, popular for certain requirements |
* In total darkness after full charging. After one to two hours, the glow turns into a faint shimmer that remains visible for a long time.
Which colour for which purpose?
Maximum brightness: yellow-green
For safety signage, orientation in the dark and wherever the glow effect matters most. As an untinted pigment, yellow-green is also suitable for hot processes such as injection moulding or extrusion.
Balanced: blue-green
The most popular alternative. Blue-green looks more harmonious and also glows brightly and long – often the better choice for design and consumer goods.
Discreet in daylight: blue
In daylight, blue looks the most whitish and therefore the most colour-neutral. Good when the product should show as little body colour as possible during the day.
Truly white: white
White unfortunately glows only briefly and rather weakly. Thanks to its very white daylight colour, it is still very popular for certain requirements – wherever the product needs to look genuinely white in daylight.
Accents: violet, orange, red
These shades are tinted. In daylight they often look stronger, but they glow considerably less. Violet needs UV light to charge. A true red cannot be achieved technically.
Good to knowTinted pigments contain organic dyes and should not be used from approx. 150 °C; under permanent UV exposure they may be less stable. Untinted pigments are heat-resistant – recognisable by their light, whitish daylight colour with a slight tint, such as yellow-green and blue-green.
What else affects the result
- Charging. UV content – daylight or UV from 365 nm – charges fastest, artificial light more slowly. Permanent UV does not harm the pigment.
- Fluorescence. Under UV or black light, the pigments also fluoresce and look even more intense.
- Mixing. Glow colours can be mixed, but the result is not homogeneous because of different particle sizes.
- Photos. Glow colours look different depending on camera and charge level. It is best to judge colours on a sample.
